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Known as the Beast of Merin, Luc Black loyally plays the part of unwanted son and devoted brother. When the Guardians hone in on Rosa, Luc must fight to protect his new bride. And as war descends, the unlikely allies discover their destinies are irrevocably entwined…. Celtic Moon. Now her son, Joshua, is changing, and her greatest fears are about to be realized. Dylan Black has been hunting for Sophie since the night she ran from him—an obsession he cannot afford in the midst of an impending war. Dylan controls Rhuddin Village, an isolated town in Maine where he lives with an ancient Celtic tribe.

One of the few of his clan who can still shift into a wolf, he must protect his people from the Guardians, vicious warriors who seek to destroy them. When Sophie and Dylan come together for the sake of their son, their reunion reignites the fierce passion they once shared. But will he lose them all over again?

Are Joshua and Sophie strong enough to fight alongside Dylan in battle? Nothing less than the fate of his tribe depends on it…. Share: Share on Facebook. About Jan DeLima.

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More about Jan DeLima. A few months ago, I had a big artistic crisis, and just thought all the Megg, Mogg and Owl was shit and just like garbage. But you know, it was a good tool, and Instagram now is a good tool for just, like you said, throwing out sketches and different shit. I like to try and post something everyday, if I can, just to keep people interested. I wanna do what I wanna do, and the rest of the world can just fuck off laugh.

So, you know. This applies to anything, just like being an electrician, or being in the Navy or whatever. So there is this idea that art is not something you make, but something you live.

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From what you show on your tumblr and what you publish, there is also this aspect in your work. You know, trash is worth something. But listen, this is the art world, you know.

I mean, if you can play that game, you know — awesome! Like to me, comics is just about the story, and just readability. You want to read it, to be out there very quickly and easily identify. I just want it to be smooth, and fluid. I used to use an eight grid… Yeah, I use the fifteen quite often. See, I just want to read fast, I want — I think comics should read like real life. You know? But you know, yeah, I mean, I work so much, so constantly, and sometimes I do feel trapped, and I do wanna do something else.

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So I went back to Vice. All these formats — pfff! But mostly I just like books. And then, the stories branch out into all sorts of surprising directions…. I find them really easy to write for. I did do this, like, science-fiction story with like human characters a couple of months ago, where Megg, Mogg and Owl look like something completely different and I hated it.

I can write these characters, I know these characters, I love these characters. I plan on doing this — I want them to grow up in real time, I want them to, like — just like life. You learn things, you change, you evolve. But life is always full of horror and strife and problems. So you will see what happens to them over the next twenty years.

Werewolf Jones does die. And it reminded me of the Freudian trio of Ego who would be Megg , Id Mogg, animal and undeniably the most sexual of the three and Superego with Owl, who tries to be relatively clean and tries to get things working, but who always ends up being carried away by the other two. Considering how the comic is also ripe with autobiographical elements, I was wondering if that made sense for you. I do think of them as different parts of my personality. And I just put it all out on paper. I remember another cover in a similar style…. And she had no intention telling me about this.

Comiket, in Tokyo, they sell them. It was like the best thing that happened to be last year. Yeah, I like more sort of alternative manga, the weird, sort of 70s shit. Yeah, I learn. But I try, yeah. It looks pretty, a lot of it. I mean, that cover for One More Year , I ripped that off.

The overall kind of design, is ripped off a Japanese graphic designer, who was I think born in and then died in the s, it was an apparently really famous Japanese graphic designer, so.

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Very much? Why do you ask me then? Yeah, I try with the manga. What else do I like?

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It definitely shows the versatility of these characters, which constitute a true narrative platform for you. Yeah, they are very versatile, they can just sit there and talk about comics, and I can expose my values and my opinions through them. I stopped doing that for a couple of years, but I started doing it again. You know, the sort of very opinionated jerk, like I feel very strongly about certain types of comics and the way things should be done.

As if they existed even when you stop drawing them. But yeah, Lingerie Witches was, like a pornographic magazine.

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I had the idea that Megg, kind of at some point, would have done some sort of softcore pornography for money, when she needed drug money. So I set about making a big pornographic magazine — she was only on one page, but yeah, I just wanted that magazine to exist. I shrink-wrapped it, I was working at a bookstore at the time, I snuck in on the week-end and shrink-wrapped all the magazines, so it did just look like a real pornographic witch magazine.

I wanted to like sneak around shops and like put them on shelves next to pornographic magazines, but — they were very expensive to print, they were big and full color. I grew up very poor, and I never had a computer until like, or something? A friend gave me one. So I went into the cupboard, and there was food coloring for cakes, for icing. So I stumbled onto it. All of my pinks and yellows and blues derive from the food coloring. I used some American food coloring, it was waxy, it sucked in all the other colors, it was garbage, so you know… yeah, I recommend Queen Food Colouring.

If you could write to the food coloring people… And yeah, fuck Photoshop and fuck Wacom tablets! My work is very honest. What you see on the page is what exists in real life. Erm, there was gonna be a second issue, we… HTML Flowers, my friend and writing partner, he came to Seattle for a month or so last year, and we drew most of it, but we just never released it. So he has about 20 pages of stuff sitting around and my material I colored and put on Vice , so that — yeah, that material ended up in the new French book, in the Amsterdam one. Werewolf Jones loves Diesel.

We live in different countries now, Flowers and I, so. Comics are the best, because you just do it on your own.